About the Painting 2
Another detail from center panel
Another detail from center panel
  The Artist has said: "The element of a painting into which I put the most thought is its structure. This is a term that shouldn't be confused with composition or unity. Some critics have said that structure is no longer important in a work of art because we live in an unstructured age. But the world has always been unstructured, and it has always been the artist's role to try to impose structure upon it. I challenge myself with the most difficult structural problems I can devise. I like the tensions resulting from my attempts to organize the disparate elements and make them contribute to the effect of the whole."

While he was working on this project, it occurred to the Artist that the technology he was using could be used to make a giant version of his triptych and that people might respond to the larger image in an entirely different way. A properly-made enlargement could be even more impressive and powerful than the original. A 28-foot long enlargement of the triptych was shown at his most recent New York show. See his home site for a picture.

  Detail from center of right panel
Detail from center of right panel
Detail from right side of right panel
Detail from right side of right panel
  The EuroDisney Triptych is copyright © 1998 by Ernest Ruckle. Although it uses Disney characters, the Artist feels that its artistic value and imaginative and structural content overcome any question of copyright violation. Legal challenges should be directed to the Artist c/o the Louis K. Meisel Gallery, 141 Prince Street, New York 10012. No commercial use of any kind may be made of these images without written permission from the Artist.

About the Painting 1

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